Showing posts with label Between Worlds. Show all posts
Showing posts with label Between Worlds. Show all posts

28.4.09

The Alchemist's Garden: Perses

The Alchemist's Garden: Perses
24" h. x 8" d.
mahogany, copper, brass, bloodstone, hematite, oil paint, acrylic paint, varnish

The Titans, in the ancient Greek cosmology, ruled the sky and the forces of nature before the Olympian gods. They were personifications of the processes of the universe. Perses was a third generation Titan, whose father Krios was the south pillar of the dome of the sky and whose mother Eurybia was master of the sea. Krios, as one of the bearers of the cosmos, is associated with the modern constellation of Aries, which rises in the southern part of the sky, north of the equator. He had three sons: Astraios, Pallas, and Perses.

Perses, whose name translates to “destroyer,” is the personification of the destructive force of the universe. If a star explodes in the heavens, that would be Perses work. If something falls from the sky and causes havoc on earth, that is Perses as well. On earth, his influence was most often felt through the droughts and tempests of late summer which could devastate crops just before they were ready for harvest, inviting Limus (famine) and Oizys (misery). He could also play with the mind and temper of man, by bringing on feelings of warring, pillaging and rampage, laying waste to villages, societies and culture. His power was only relieved by his brother, Astraios who has the calmest personality of Krios’ sons and was father to the four winds.

Perses’ wife was Asteria whose name translates to “star.” She was herself a Titan who controlled prophetic dreams, oracles, astrology and necromancy. Together, they had a daughter, Hecate, goddess of witchcraft. (Destructive power paired with fortune telling yields black magic)

This sculpture, The Alchemist’s Garden: Perses, depicts the destructive power of Perses as a burst or explosion at the summit of a globe. The globe is a representation of the universe with the stars of heaven on the top hemisphere and the fires of earth on the lower, surrounded by the signs of the zodiac, representing the wheel of the year and the boundaries of the cosmos. The burst contains hematite and bloodstone, both minerals that are associated with power. Bloodstone is thought to bring on tempests for the use of the bearer and hematite is thought to provide strength in battle to the wearer.

As the parents of Hecate and as Titians who control two of the fundamental energies of the magical arsenal, Perses and Asteria have a niche at the bottom of my Alchemist’s Garden where wildness mingles with the shadows. The Alchemist’s Garden is an environmental project that explores the concepts, processes and elements of magic and alchemy through the landscape.

The Alchemist's Garden: Perses, was exhibited as a part of the Between Worlds exhibition at Curious Matter, September 14 - October 19, 2008. It was first exhibited at the Gallery-Studios open studios October 2006 as part of a larger project/installation, The Alchamist's Garden.

27.4.09

Between Worlds


I participated in the Between Worlds exhibition at Curious Matter which ran September 14-October 19, 2008 with the following artists:

Ali Aschman
Yiftach Belsky
Ryan Browning
Arthur Bruso
Peter H. Everett
Amy Finkelstein
Maureen Foster
Ronald Gonzalez
Michael Heroux
Yvonne Kleiman
Sebastian Lemm
Ross Bennett Lewis
Marianne McCarthy
Joan Mellon
Richard Metz
Raymond E. Mingst
Jeanne Mischo
Matt Pych
Carol Radsprecher
Brooke Rogers
Anthony Santella
Lisa Taliano
Kikuko Tanaka
Jamie Marie Waelchli
Alyssa Taylor Wendt
John J. Zirkelbach


Here is the introductory paragraph of the catalog essay:

There are locations in this world that have accumulated a reputation for existing outside the normal experience of a place. Whether through legend, rumor or fear, they are perceived to be an exchange point between the world of the senses and the extrasensory. These are the spaces claimed by no one, such as: the crossroads whose center belongs to no direction; the hedge, straddling the boundary of the tamed garden and the wilderness; and the threshold, holding the house from the greater world. In this exhibition, Between Worlds, the artists follow their curiosity into these amorphous realms that put our nerves on edge––existing on the boundaries of the known and unknown––and give us their vision of what they find there.

Please go to Curious Matter to read the complete essay. The Between Worlds catalog is available from Lulu.com